I have now finally finished the new mix of the eight year old album In The Wake Of… by my first band Lauwine. Considering how bad some of the recordings are I think I have done quite a nice job of it. Here it is available to download and kiss.
In The Wake Of… by Lauwine
The songs Elements Of The Unoriginal, Nine Lies, My Regret, Dog Rocket Monkey Jar, Three Dead Carp and In The Wake Of Lauwine all came from our first recording session, then the other four songs were recorded about a year later. All of these were recorded at ATM college were we met.
For this new mix I decided I would remove all the silly effects and over the top reverbs that plagued the original mixes and make them as clear as I possibly could. Just a little compression and EQing where needed.
Listening back to the songs it is a shame Luke wasn’t around to add his guitar parts. The song that really feels empty compared to the rest due to this is Reading With The Lights Off, which was always one of my favourites to play live. With the lack of second guitar it has a strange funk metal feel to it.
From what I remember Nine Lies would have been our oldest song that stayed with us till the end. It was one of the first songs we wrote along with Get Out And Walk, DTL and Can I Kiss It Better? An early version of Nine Lies had a massive electro middle eight, because I had a habit of messing with things I shouldn’t. It was always a great live song with a great deal of screaming, noise and falling about.
My Regret was dropped from our repertoire for being rubbish and then added again for being really good.
This brings us on to Dog Rocket Monkey Jar……..the bain of my life. I did grow to hate this Steve title song. It does have an incredibly catchy hook and is perfect for flinging yourself around to, but I think it is the ridiculous stupidity of the guitar that made me eventually hate the song even though it was always our most popular.
Three Dead Carp was one of few songs to have me as lead vocals, Nine Lies, Can I Kiss It Better? and My Ollie And Lissa being the only other ones I remember. When it came to vocals I was always comfortable singing live and could just about pass at times but when it came to recording I fell flat on my face as evident here.
Pierced Through The Spine Of An Open Book was always one of my favourite songs. I think it was a perfect example of what we could all do and how well me and Sam could bounce off each other. It also has an amazing ending.
In the Wake Of Lauwine was written at the point when we were thinking of changing our name so the song was originally just going to be called Lauwine. This song was a big turning point for us because it was us pushing our song writing abilities. Several sections of songs, big changes and me and Sam throwing vocals at each other. For a long time it was our big finisher up until the magical day that a special song fell from our finger tips.
As soon as Only A Walk Away was written it was clear that it was our biggest song. The whole thing based around one really simple guitar part. This was such a massive ending to our shows we would always repeat the ending and just put all we had left in to it. On a few occasions the Swordface boys would come and join for backing vocals.
When it came to the recorded version I really wanted to make something special by adding synths and strings. This is a song I have always missed playing live since the band split.
So there we have it. In The Wake Of… by Lauwine. There was at least one more song written since we did the last recording session. But I am not sure if this has survived on any practise tapes recorded by Sam or even captured on video as I think it was only played live a couple of times.
There are several cassette tapes and a couple of live videos that Sam should have that will have some songs that never got finished or never made it to be performed live. There is a CD of us playing live at Room recorded straight from the desk that if I can find time may add up here for download.
You have been listening to:
Sam Webb – Bass and Vocals
Steve Baldwin – Drums
Bob Stephenson – Guitar and Vocals
Luke James – Guitar (Tracks 2, 4, 5, 6, 7 and 9)